My point is not that everything is bad$$$ but that everything is dangerous.
In the darkest region of the political field$$$ the condemned man represents the symmetrical$$$ inverted figure of the king.
It is meaningless to speak in the name of - or against - Reason$$$ Truth$$$ or Knowledge.
Every life ought to contain both a turn and a return.
Sensual and spiritual are not easy words to use; that there are$$$ perhaps$$$ not two Aphrodites$$$ but one Aphrodite with a Janus face.
Most quarrels are inevitable at the time; incredible afterward.
I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows.
The crime of suicide lies rather in its disregard for the feelings of those whom we leave behind.
What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
Death destroys a man: the idea of Death saves him.